Showing posts with label grayling. Show all posts
Showing posts with label grayling. Show all posts

Sunday, 23 January 2022

Not all work and no play

The floats have been coming out of the workshop at a slow and steady pace, but the weather had been awful recently, with my local river bursting its banks regularly and the colour of strong tea for what seemed like an age. Eventually a break in the weather for a few days coincided with a little time off and I was able to head out with a pint of reds to see what was about.

The river was finally looking in fine fettle, along with ample raw materials for float making available for collection..



After a recent conversation with a chap regarding the merits of Reg Righyni's design, I had rigged up with one of the first attempts I had turned out, and it was performing admirably, although this was after a swap from a yellow-tipped version to a darker red which showed up a lot better against the bright reflections coming off the water, even with polaroids on.

There were fish about, although without waders one observation which had brought to mind the recent conversation was Righyni's suggestion that with his pattern of float "the stem acts as a keel and the float is self-cocking. With one or two shot on the cast, it floats with the antenna only above the surface." Now obviously Righyni doesn't specify the size of shot, but with a short Nottingham cast on the centrepin and a desire to feather the landing in short succession the float was not the easiest to cast in an awkward wind. And that was with about 1.5 g of olivette and dropper, likely more than Righyni's "one or two shot". 

I don't think it's a great leap of imagination to see Reg Righyni's design a forerunner, albeit with a much smaller shot-carrying capacity, of a thick-tipped and steel or alloy-stemmed Bolo float, and that may be the next step if a further cast to get the trot where you want is required. Something for the workshop should the weather turn perhaps.

Righyni also extolls the value of braid in his 1968 publication of "Grayling", whilst pragmatically recognising it does have shortcomings, particularly on windy days. His conclusion was that mono on a fixed spool reel and braid on a centrepin were the inevitable conclusion for "dedicated long-trotters", it may be something I'll try but not until it's time to replace the mono on the 'pin.




Incidentally, the reel I was using and in the above photo is a Vectra SST-3 from Canadian tackle company Raven, in case it's not instantly recognisable for European readers. Made for steelhead float fishing in Canada and the US, what little I have read about it did suggest it was more popular on shorter float rods, it's light weight apparently making it less desired for 13 foot rods or longer. I picked it up cheaply on a well-known auction site some years ago probably due to it being little known on this side of the Atlantic, and personally I found it suited the 13ft Acolyte Plus perfectly, maybe down to the very light weight of the rod. The reel weighs just under 190g loaded with 100 yards of 4lb mono, compared to, say, a J W Young Purist II at 290g weighing half as much again. Combined with one of the lightest 13ft float rods available it was a pleasure to use all day. (Yes I know there are a couple of lighter rods out there, I have at least one, but not at the price or with Drennan's availability in almost every tackle emporium you venture into).

Besides, if a rod is tip heavy adding weight at the fulcrum or pivot-point of the lever is not the best way to balance the rod, weight at the butt is going to be more effective.

Hopefully the weather will hold out for a couple more trips before the end of the season, whereupon a short break will hopefully be followed by a campaign chasing the local Crucian populations.

Tuesday, 17 August 2021

A bit of a hiatus from the blog for a short while...

I finished some grayling floats, admittedly a while ago, for the same recipient as the crowquill Avons...

Reg Righyni grayling floats


In addition there's a modern take on a sensitive Avon float for roach on the river, slim 3 mm tip for sensitivity, carbon stem to help with detecting bites on the drop, I've made some up previously for myself to test them out and they work a treat if you're not trying to cast to the other side of the river...

More traditional paint, and a light Avon float


In other news, single floats, pairs and the odd set of three have made their way onto a new Etsy shop. I'm making far too many to use, but still enjoy making them, so hopefully selling a few will cover the cost of materials and give me an excuse to keep on making them...

If you want to see what's there here's a link, the stock will be updated as and when completed....



Saturday, 23 May 2020

...and number four

Yet more Reg Righyni grayling floats, this time with a balsa tip and some internal reinforcement to make sure there's no problems when adjusting the float cap...

I think that's enough of those for a while, there's another design I'll be trying shortly once I've worked my way through some more of the part-finished stock

Sunday, 3 May 2020

Batch number three

The next batch to emerge from the workshop, predominantly grayling floats following Reg Righyni's timeless formula, with a couple of minor modifications. These are fitted with hardwood tips for a little extra strength for the float caps, and the recommended 20swg (0.91mm) piano wire, basically spring steel, has been replaced with 1mm stainless steel.

Where the magic begins in 'Fishing Reflections'



And in addition a couple of simple balsa on cane Avon's with colour scheme inspired by the county flag..


Wednesday, 6 December 2017

Some background

So, why the repeated mention of Reg Righyni? For those who are already aware ignore this post... R V Righyni was a published salmon, trout and grayling fisherman who's book 'Grayling' was first published in 1968.

The book spends equal time discussing fly fishing and fishing bait for grayling, along with discussion on bait, tackle and fish behaviour. In the appendices and also in his anthology of articles published as 'Fishing Reflections' in 1998, including the September 1963 article published in Creel magazone, Reg had published his design for a perfect trotting float for grayling.

The book discusses the use of traditional grayling floats, the need for a float to turn over once and once only during the cast to avoid tangles, to be able to 'ride fairly rough water' and be visible at distance. He was fairly dismissive of the traditional cob floats, although they suffice for fishing small pools. Otherwise he notes a bite rarely pulls the float under, more frequently there's a sideways movement or the float simply stops in it's tracks, and one has to get used to stirking at any action 'that does not seem to be in conformity with unrestricted movement along with the current'. A typical bob float is too difficult to see at distance and insensitive unless over-shotted, which makes it even more difficult to see, and creates a lot of disturbance on the retreive.

 So after some experimentation Righyni came up with a basis of a design, which was as follows:
  • An elongated bulb merging into an antenna mounted on a long fine wire stem 
  • balsa body, 3 1/2" approx in length made from 3/8" square strip balsa (that's approximately 90 mm in length and turned/whittled from 9.5mm square strip)
  • a stem of equal length (plus an inch set into the body) of 20 swg piano wire
  • visible at distance
  • streamlined shape for a minimum of disturbance on the retreive
Hopefully those I've produced will fit the bill, they're slightly shorter in the body and the 20 gauge swg (about 0.91 mm) piano wire has been replaced by 1mm stainless steel. I've also omitted the nylon loop at the base of them stem, preferring to use silicon caps to make possible.swapping floats without dismantling the entire rig. I've seen on some forums mention of the design being 'just about' cocking to better show a lift bite, but the photos in 'Grayling' and 'Reflections' appear to show a fully-cocked float before shot is added, albeit reproduced in fairly low quality....

Some of the samples shown in the previous post are now wending their way to Glamorgan, Wales for testing on the Wye, hopefully by someone who can get out on a river more often than I can.

Sunday, 3 December 2017

Finished grayling floats


First batch awaiting the final coat of varnish


Some in Harcork-inspired colours (despite no cork being used)


Self-cocking test complete, might make an adjustment to that paint line although they still need shotting obviously, just got to get out with them now

Friday, 1 December 2017

More grayling floats

Recent finds acquired to add to the collection of commercial offerings...




Not heard of this one before, more research required methinks






and confirmation the logo is Ultra... this one might even stay in the packaging for prosperity's sake.

Tuesday, 21 November 2017

Grayling float by Reg Righyni - part 2

The stepped down 5mm balsa tip snapped way too easily when assembling, and would be out under more pressure when in use due to the float cap.
The solution (hopefully)...

5mm balsa dowel, stepped down to 3mm to go into the body, with a 1mm concentric hole into which 1mm carbon stem is inserted (only partially in the above photo). Hopefully light enough not to be noticeable but strong enough to stop the tip snapping off…
new components…

assembled, prior to sealing, paint, whipping and varnish…



...finished articles to follow...


Grayling float by Reg Righyni

In ‘Grayling’, published in 1968, and prior to that in an article the November 1963 issue of Creel (also captured in his anthology ‘Fishing Reflections’) Reg Righyni suggest the following key points for a perfect grayling float for trotting…
- Balsa body, an elongated avon body of 3 1/2″ in length, hand carved from 3/8″ block, incorporating a long tip for better visibility
- 20 guage piano wire stem, 4 1/2″ inches in length with the top inch inserted into the body
- the float should self-cock, with a shotting requirement of no more than ‘a single large shot’ to fully cock to the base of the tip
The 20 swg piano wire equates to 0.914mm, close enough to 1mm for me, but from what I could find piano wire is sprung steel. I tried it, it was shocking as a material for a float stem, easily bent out of shape and impossible to return fully to straight. 1mm stainless was infinitely better
The balsa body was also easily turned, although templated bodies with a 3mm internal bore required a little thought for the stem and tip. 5mm balsa dowel turned down fitted well, and 3mm cane with a 1mm concentrically drilled hole for the stem provided a secure mounting point….
The component parts (additional cane sleeve for the stem included)

Monday, 20 November 2017

Grayling floats

A bit of inspiration, for 'tis the season. Here's some patterns, mostly from Middy I believe








No, I don’t know what they were thinking with the last one either...


Update: the first float with the crown logo is I think an Ultra